Please use this identifier to cite or link to this item: http://repositorio.lnec.pt:8080/jspui/handle/123456789/1007970
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dc.contributor.authorSantos, C.pt_BR
dc.contributor.authorVieira, E.pt_BR
dc.contributor.authorMirão, J.pt_BR
dc.contributor.authorMimoso, J.pt_BR
dc.contributor.editorJ. Delgado Rodriguespt_BR
dc.contributor.editorJoão Manuel Mimosopt_BR
dc.date.accessioned2016-02-24T15:17:00Zpt_BR
dc.date.accessioned2017-04-13T09:04:11Z-
dc.date.available2016-02-24T15:17:00Zpt_BR
dc.date.available2017-04-13T09:04:11Z-
dc.date.issued2015-07-02pt_BR
dc.identifier.citationProceedings of the International Conference Glazed Ceramics in Architectural Heritage (GlazeArch 2015)pt_BR
dc.identifier.urihttps://repositorio.lnec.pt/jspui/handle/123456789/1007970-
dc.description.abstractJorge Colaço is a Portuguese painter who started his artistic career as painter, oil painting on canvas and making cartoons for newspapers. In the early twentieth century, due to curiosity and interest in tiles, he devoted himself to tile painting. The vastness and the quality of his artwork (tile and frame panels) required mastery and accuracy in drawing and painting, but also a developed knowledge of the ceramic techniques, which the artist acquired in the factories where he worked: Sacavém Factory (Fábrica de Sacavém) and Lusitânia Factory (Fábrica Cerâmica Lusitânia). In the context of the inventory and identification of his artistic creation we highlight the conservation issues. Towards a deeper understanding of these problems it was necessary to corroborate by laboratorial analysis the information provided by written and oral sources about the techniques he once used. For the analytic part of this research we were limited by the samples made available that were nonetheless considered sufficient to draw conclusions: two samples of indoor polychrome panels from Casa do Alentejo in Lisbon, painted while he worked at the Sacavém Factory; and one sample retrieved from the outdoor panels that line the façade of the Santo Ildefonso Church, in Oporto, painted while at the Lusitânia Factory.pt_BR
dc.language.isoporpt_BR
dc.publisherLaboratório Nacional de Engenharia Civilpt_BR
dc.relationinfo:eu-repo/grantAgreement/EC/H2020/654028/EUpt_BR
dc.rightsopenAccesspt_BR
dc.subjectJorge Colaçopt_BR
dc.subjectAzulejospt_BR
dc.subjectEstudo analítico de azulejospt_BR
dc.subjectTécnicas de pintura de Jorge Colaçopt_BR
dc.subjectFábrica de Sacavémpt_BR
dc.subjectFábrica de Cerâmica Lusitâniapt_BR
dc.titleJorge Colaço, um artista multifacetado. Estudo e caracterização das técnicas de pintura em azulejopt_BR
dc.typeconferenceObjectpt_BR
dc.identifier.localedicaoLisboapt_BR
dc.description.pages91-110pp.pt_BR
dc.description.commentsAbstract in English; full text in Portuguese. Participação do LNEC ao abrigo do Processo 0202/111/19014 (infraestrutura de investigação IPERION-CH.pt).pt_BR
dc.identifier.localLisbonpt_BR
dc.description.sectorDM/NBPCpt_BR
dc.description.magazineProceedings of the International Conference Glazed Ceramics in Architectural Heritage (GlazeArch 2015)pt_BR
dc.identifier.conftitleGlazeArch 2015- International Conference "Glazed Ceramics in Architectural Heritage"pt_BR
dc.contributor.peer-reviewedSIMpt_BR
dc.contributor.academicresearchersSIMpt_BR
dc.contributor.arquivoSIMpt_BR
Appears in Collections:DM/NMC - Comunicações a congressos e artigos de revista

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