Please use this identifier to cite or link to this item:
http://repositorio.lnec.pt:8080/jspui/handle/123456789/1007970
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DC Field | Value | Language |
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dc.contributor.author | Santos, C. | pt_BR |
dc.contributor.author | Vieira, E. | pt_BR |
dc.contributor.author | Mirão, J. | pt_BR |
dc.contributor.author | Mimoso, J. | pt_BR |
dc.contributor.editor | J. Delgado Rodrigues | pt_BR |
dc.contributor.editor | João Manuel Mimoso | pt_BR |
dc.date.accessioned | 2016-02-24T15:17:00Z | pt_BR |
dc.date.accessioned | 2017-04-13T09:04:11Z | - |
dc.date.available | 2016-02-24T15:17:00Z | pt_BR |
dc.date.available | 2017-04-13T09:04:11Z | - |
dc.date.issued | 2015-07-02 | pt_BR |
dc.identifier.citation | Proceedings of the International Conference Glazed Ceramics in Architectural Heritage (GlazeArch 2015) | pt_BR |
dc.identifier.uri | https://repositorio.lnec.pt/jspui/handle/123456789/1007970 | - |
dc.description.abstract | Jorge Colaço is a Portuguese painter who started his artistic career as painter, oil painting on canvas and making cartoons for newspapers. In the early twentieth century, due to curiosity and interest in tiles, he devoted himself to tile painting. The vastness and the quality of his artwork (tile and frame panels) required mastery and accuracy in drawing and painting, but also a developed knowledge of the ceramic techniques, which the artist acquired in the factories where he worked: Sacavém Factory (Fábrica de Sacavém) and Lusitânia Factory (Fábrica Cerâmica Lusitânia). In the context of the inventory and identification of his artistic creation we highlight the conservation issues. Towards a deeper understanding of these problems it was necessary to corroborate by laboratorial analysis the information provided by written and oral sources about the techniques he once used. For the analytic part of this research we were limited by the samples made available that were nonetheless considered sufficient to draw conclusions: two samples of indoor polychrome panels from Casa do Alentejo in Lisbon, painted while he worked at the Sacavém Factory; and one sample retrieved from the outdoor panels that line the façade of the Santo Ildefonso Church, in Oporto, painted while at the Lusitânia Factory. | pt_BR |
dc.language.iso | por | pt_BR |
dc.publisher | Laboratório Nacional de Engenharia Civil | pt_BR |
dc.relation | info:eu-repo/grantAgreement/EC/H2020/654028/EU | pt_BR |
dc.rights | openAccess | pt_BR |
dc.subject | Jorge Colaço | pt_BR |
dc.subject | Azulejos | pt_BR |
dc.subject | Estudo analítico de azulejos | pt_BR |
dc.subject | Técnicas de pintura de Jorge Colaço | pt_BR |
dc.subject | Fábrica de Sacavém | pt_BR |
dc.subject | Fábrica de Cerâmica Lusitânia | pt_BR |
dc.title | Jorge Colaço, um artista multifacetado. Estudo e caracterização das técnicas de pintura em azulejo | pt_BR |
dc.type | conferenceObject | pt_BR |
dc.identifier.localedicao | Lisboa | pt_BR |
dc.description.pages | 91-110pp. | pt_BR |
dc.description.comments | Abstract in English; full text in Portuguese. Participação do LNEC ao abrigo do Processo 0202/111/19014 (infraestrutura de investigação IPERION-CH.pt). | pt_BR |
dc.identifier.local | Lisbon | pt_BR |
dc.description.sector | DM/NBPC | pt_BR |
dc.description.magazine | Proceedings of the International Conference Glazed Ceramics in Architectural Heritage (GlazeArch 2015) | pt_BR |
dc.identifier.conftitle | GlazeArch 2015- International Conference "Glazed Ceramics in Architectural Heritage" | pt_BR |
dc.contributor.peer-reviewed | SIM | pt_BR |
dc.contributor.academicresearchers | SIM | pt_BR |
dc.contributor.arquivo | SIM | pt_BR |
Appears in Collections: | DM/NMC - Comunicações a congressos e artigos de revista |
Files in This Item:
File | Description | Size | Format | |
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09 Jorge Colaco artista multifacetado.pdf | Full text / texto completo em português | 5.28 MB | Adobe PDF | View/Open |
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