Please use this identifier to cite or link to this item: http://repositorio.lnec.pt:8080/jspui/handle/123456789/1003058
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dc.contributor.authorValadas, S.pt_BR
dc.contributor.authorCandeias, A.pt_BR
dc.contributor.authorMirão, J.pt_BR
dc.contributor.authorTaveres, D.pt_BR
dc.contributor.authorCoroado, J.pt_BR
dc.contributor.authorSimon, R.pt_BR
dc.contributor.authorSantos Silva, A.pt_BR
dc.contributor.authorGil, M.pt_BR
dc.contributor.authorGuilherme, A.pt_BR
dc.contributor.authorCarvalho, M. L.pt_BR
dc.contributor.editorRobert L. Price, University of South Carolina, USApt_BR
dc.date.accessioned2012-01-17T15:49:28Zpt_BR
dc.date.accessioned2014-10-20T16:32:29Zpt_BR
dc.date.accessioned2017-04-12T14:53:53Z-
dc.date.available2012-01-17T15:49:28Zpt_BR
dc.date.available2014-10-20T16:32:29Zpt_BR
dc.date.available2017-04-12T14:53:53Z-
dc.date.issued2011-09-05pt_BR
dc.identifier.citationMicroscopy and Microanalysis 23 September 2011 17 : pp 702-709pt_BR
dc.identifier.otherdoi:10.1017/S1431927611000195pt_BR
dc.identifier.urihttps://repositorio.lnec.pt/jspui/handle/123456789/1003058-
dc.description.abstractIn this work, we present the results of an analytical method developed for detailed pigment identification, stratigraphy, and degradation of the paint layers of mural paintings applied in the study of the 17th century frescoes from the Misericordia Church of Odemira (Southwest Portugal). In situ X-ray fluorescence spectrometry analyses were performed on three panels of the mural paintings and complemented by colorimetric measurements. The different color areas were also sampled as microfragments (approx. 1 mm2)that were studied as taken or mounted in epoxy resin to expose the different paint layers. The microfragments of paint layers and their cross sections were characterized by optical microscopy and scanning electron microscopy coupled with energy dispersive X-ray spectrometry. Furthermore, elemental analysis was obtained with spatially resolved confocal synchrotron radiation micro-X-ray fluorescence spectrometry performed at ANKA synchrotron FLUO beamline. Occasionally, phase analysis by micro-X-ray diffraction was also performed. Results from the different techniques allowed pigment identification and, in some cases, the evaluation of color changes due to degradation processes and, considering the Southern Portugal geology, the identification of their possible provenance. The pigments used were essentially yellow, brown and red ochres, smalt blue, copper green, and black earths, probably from local sources.pt_BR
dc.description.sponsorshipThis work was carried out under the framework of HERCULES Project—Cultural Heritage, Studies and Safeguard— funded by EEA Grants European Financial Mechanism. The authors wish to acknowledge the financial support from European Union FP6 “Structuring the European Research Area” Programme (I3 Project IA-SFS) for the access to FLUO beamline at ANKA synchrotron.pt_BR
dc.language.isoengpt_BR
dc.publisherMicroscopy Society of Americapt_BR
dc.rightsopenAccesspt_BR
dc.subjectMural paintingspt_BR
dc.subjectPigmentspt_BR
dc.subjectOptical and electron microscopypt_BR
dc.subjectIn situ xrfpt_BR
dc.subjectSynchrotron micro-xrfpt_BR
dc.subjectMicro-xrdpt_BR
dc.titleStudy of mural paintings using in-situ XRF, confocal Synchrotron-μ-XRF, μ-XRD, optical microscopy and SEM-EDS – the case of the frescoes from Misericordia Church of Odemirapt_BR
dc.typearticlept_BR
dc.description.figures7pt_BR
dc.description.pages702-709pppt_BR
dc.description.volume17pt_BR
dc.description.sectorDM/NMMpt_BR
dc.description.magazineMicroscopy and Microanalysispt_BR
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